The article proposes a theoretical foray into Orwell’s 1984, one that offers insight about how complex the fabric of, perhaps, the most well-known classic dystopia of the 20th century, really is. Discussing auctorial intention and the inherent structural aspects of a utopia/dystopia, a close analysis of 1984 reflects the lesser-known aspects behind creating some of the most familiar contemporary images related to the disappearance of personal freedom and the birth of the surveillance state.
The article examines the fact that the push for democracy and the end of Communist rule in Central Europe was phrased in terms of traditional European notions of freedom and democracy, in spite of long-lived Communist attempts to redefine these and related terms in order to make them a Communist reality.
Dystopian literature has existed for over a hundred years, being as popular as any other moderately successful literary genre. Over the past few decades, however, it has become increasingly acclaimed, particularly after the turn of the century.
Finnsson, G., 2016. The Unexpected Popularity of Dystopian Literature. From Orwell’s Nineteen Eighty-Four and Atwood’s The Handmaid’s Tale to Suzanne Collins’ The Hunger Games Trilogy (Doctoral dissertation).
This paper attempts a Critical Discourse Analysis (CDA) of mind control strategies in George Orwell’s Nineteen Eighty-Four (1948). More specifically, the paper tries to shed lights on the discursive practices that are used to control the public’s minds in a way that guarantees complete compliance to a specific ideology. Orwell’s novel is one of the distinguished narratives in the twentieth century