Wide Reading Themes: Bonnet Dramas

1777. Albany, New York. It's one of New York society's biggest events: the Schuylers' grand ball. Eliza Schuyler can barely contain her excitement when she hears of the arrival of Alexander Hamilton, a mysterious, rakish young colonel and General George Washington's right-hand man. Alex is an orphan, and a bastard one at that; only his association with Washington puts him in such esteemed company. And he has arrived at the ball as the bearer of bad news for the Schuylers. But when Alex and Eliza meet that fateful night, so begins an epic love story that would forever change the course of American history.

From bestselling author Julia Quinn comes the story of Daphne Bridgerton, in the first of her beloved Regency-set novels featuring the charming, powerful Bridgerton family, now a series created by Shondaland for Netflix. In the ballrooms and drawing rooms of Regency London, rules abound. From their earliest days, children of aristocrats learn how to address an earl and curtsey before a prince--while other dictates of the ton are unspoken yet universally understood. A proper duke should be imperious and aloof. A young, marriageable lady should be amiable...but not too amiable. Daphne Bridgerton has always failed at the latter. The fourth of eight siblings in her close-knit family, she has formed friendships with the most eligible young men in London. Everyone likes Daphne for her kindness and wit. But no one truly desires her. She is simply too deuced honest for that, too unwilling to play the romantic games that captivate gentlemen. Amiability is not a characteristic shared by Simon Basset, Duke of Hastings. Recently returned to England from abroad, he intends to shun both marriage and society--just as his callous father shunned Simon throughout his painful childhood. Yet an encounter with his best friend's sister offers another option. If Daphne agrees to a fake courtship, Simon can deter the mamas who parade their daughters before him. Daphne, meanwhile, will see her prospects and her reputation soar. The plan works like a charm--at first. But amid the glittering, gossipy, cut-throat world of London's elite, there is only one certainty: love ignores every rule... This novel includes the 2nd epilogue, a peek at the story after the story.

The culmination of Jane Austen's genius, a sparkling comedy of love and marriage Now a major motion picture starring Anya Taylor-Joy   Beautiful, clever, rich--and single--Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A spirited, witty and fresh reimagining of Jane Austen's 'Pride and Prejudice'! Lydia is the youngest Bennet sister and she's sick of country life - instead of sewing and reading, she longs for adventure. When a red-coated garrison arrives in Merryton, Lydia's life turns upside down. As she falls for dashing Wickham, she's swept into a whirlwind social circle and deposited in a seaside town, Brighton. Sea-bathing, promenades and scandal await - and a pair of intriguing twins. Can Lydia find out what she really wants - and can she get it?

One of the BBC's '100 Novels That Shaped Our World' 'One of the few English novels written for grown-up people' Virginia Woolf George Eliot's nuanced and moving novel is a masterly evocation of connected lives, changing fortunes and human frailties in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfilment leads her into a disastrous marriage to the pedantic scholar Casaubon; Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his past. Edited with an Introduction and notes by ROSEMARY ASHTON

When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the north of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.

In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

Damian Baxter is hugely wealthy and dying. He lives alone in a big house in Surrey, looked after by a chauffeur, butler, cook and housemaid. He has but one concern - his fortune in excess of 500 million and who should inherit it on his death. PAST IMPERFECT is the story of a quest. Damian Baxter wishes to know if he has a living heir. By the time he married in his late thirties he was sterile (the result of adult mumps), but what about before that unfortunate illness? He was not a virgin. Had he sired a child? A letter from a girlfriend from these times suggests he did. But the letter is anonymous. Damian contacts someone he knew from their days at university. He gives him a list of girls he slept with and sets him a find his heir!

When the haughty and aristocratic Darcy refuses to dance with Elizabeth Bennett, she instantly dislikes him, despite his reputation as a wealthy and eligible bachelor. Are her first impressions correct, or is there more to Darcy than meets the eye?

Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.

When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?

One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles - military and domestic - are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin with his devotion to Amelia, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

A prim and proper lady thief must save her aunt from a crazed pirate and his dangerously charming henchman in this fantastical historical romance. Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up. Ned Lightbourne is a sometimes assassin who is smitten with Cecilia from the moment they meet. Unfortunately, that happens to be while he's under direct orders to kill her. His employer, Captain Morvath, who possesses a gothic abbey bristling with cannons and an unbridled hate for the world, intends to rid England of all its presumptuous women, starting with the Wisteria Society. Ned has plans of his own. But both men have made one grave mistake: never underestimate a woman. When Morvath imperils the Wisteria Society, Cecilia is forced to team up with her handsome would-be assassin to save the women who raised her-hopefully proving, once and for all, that she's as much of a scoundrel as the rest of them.