Wide Reading Themes: Just Like a Woman

A Kirkus Best Book of 2019 Nadine Jolie Courtney's All-American Muslim Girl is a relevant, relatable story of being caught between two worlds, and the struggles and hard-won joys of finding your place.
Allie Abraham has it all going for her--she's a straight-A student, with good friends and a close-knit family, and she's dating popular, sweet Wells Henderson. One problem: Wells's father is Jack Henderson, America's most famous conservative shock jock, and Allie hasn't told Wells that her family is Muslim. It's not like Allie's religion is a secret. It's just that her parents don't practice, and raised her to keep it to herself. But as Allie witnesses Islamophobia in her small town and across the nation, she decides to embrace her faith--study, practice it, and even face misunderstanding for it. Who is Allie, if she sheds the façade of the "perfect" all-American girl?

Meet Anna K. At seventeen, she is at the top of Manhattan and Greenwich society (even if she prefers the company of her horses and Newfoundland dogs); she has the perfect (if perfectly boring) boyfriend, Alexander W.; and she has always made her Korean-American father proud (even if he can be a little controlling). Meanwhile, Anna's brother, Steven, and his girlfriend, Lolly, are trying to weather a sexting scandal; Lolly's little sister, Kimmie, is struggling to recalibrate to normal life after an injury derails her ice dancing career; and Steven's best friend, Dustin, is madly (and one-sidedly) in love with Kimmie.

As her friends struggle with the pitfalls of ordinary teenage life, Anna always seems to be able to sail gracefully above it all. That is…until the night she meets Alexia "Count" Vronsky at Grand Central. A notorious playboy who has bounced around boarding schools and who lives for his own pleasure, Alexia is everything Anna is not. But he has never been in love until he meets Anna, and maybe she hasn't, either. As Alexia and Anna are pulled irresistibly together, she has to decide how much of her life she is willing to let go for the chance to be with him. And when a shocking revelation threatens to shatter their relationship, she is forced to question if she has ever known herself at all.

A modern-day Muslim Pride and Prejudice for a new generation of love.

Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn't want an arranged marriage. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century.

When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself.

It's 1699, and the salons of Paris are bursting with the creative energy of fierce, independent-minded women. But outside those doors, the patriarchal forces of Louis XIV and the Catholic Church are moving to curb their freedoms. In this battle for equality, Baroness Marie Catherine D'Aulnoy invents a powerful weapon: 'fairy tales'. When Marie Catherine's daughter, Angelina, arrives in Paris for the first time, she is swept up in the glamour and sensuality of the city, where a woman may live outside the confines of the church or marriage. But this is a fragile freedom, as she discovers when Marie Catherine's close friend Nicola Tiquet is arrested, accused of conspiring to murder her abusive husband. In the race to rescue Nicola, illusions will be shattered and dark secrets revealed as all three women learn how far they will go to preserve their liberty in a society determined to control them.

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience.

New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady's father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn't know existed in Ireland with the offer of a new life, the name jogs a an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school.

County Donegal, 1974. An eclectic group of artists known as the Screamers arrives in Burtonport and moves into the old schoolhouse down the road from where Roisin lives with her older sister Moira. Alternately kind and cruel, brilliant artist Moira is a mystery to Roisin, as is Moira's relationship with the boy next door, Michael. When the Screamers look to hire an artist in residence, Roisin enlists Michael's help to get Moira the job, setting in motion a chain of events that will put an ocean between the sisters and threaten to tear them apart forever.
Burtonport, 2018. Lyca Brady lives in a sprawling old house with her mother, Cora, and great aunt, Ro. Abortion has just been legalized in Ireland, and Lyca is struggling to find herself outside her mother's activism. An unexpected message from a childhood friend sends Lyca searching her house's mysterious attic, with its strange collection of old medical equipment, piles of paperwork, and dusty boxes of ancient video games. There, she unearths secrets hidden for decades—secrets perhaps better left unknown.

In this story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother's high expectations of her; of a painful adolescence ; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band - and meeting the man who would become her husband - her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

No one's ever told Eleanor that life should be better than fine.

Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.

But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen on the sidewalk, the three become the kinds of friends who rescue one another from the lives of isolation they have each been living. And it is Raymond's big heart that will ultimately help Eleanor find the way to repair her own profoundly damaged one

Beautiful, clever, rich--and single--Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Rosa was never really trying to kill anyone, no matter what they said in court. But she's ended up in juvenile jail anyway, living her life through books and wondering why her best mate Asheeka disappeared. A novel about a complicated friendship; a road trip through NSW in a stolen car; the stories that define us; and two funny, sharp, adventurous young women who refuse to be held back any longer.

No one speaks of the grace year. It's forbidden.
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That's why they're banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive.

Sixteen-year-old Tierney James dreams of a better life—a society that doesn't pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it's not just the brutal elements they must fear. It's not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other.

Offred is a Handmaid in The Republic of Gilead. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function- to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

Set amid the civil rights movement, the never-before-told true story of NASA's African-American female mathematicians who played a crucial role in America's space program. Before Neil Armstrong walked on the moon, a group of professionals worked as 'Human Computers', calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American women. Segregated from their white counterparts, these 'coloured computers' used pencil and paper to write the equations that would launch rockets and astronauts, into space. Moving from World War II through NASA's golden age, touching on the civil rights era, the Space Race, the Cold War and the women's rights movement, 'Hidden Figures' interweaves a rich history of mankind's greatest adventure with the intimate stories of five courageous women whose work forever changed the world.

One of a wealthy silk merchant's 32 children, Mimi Kwa's father, Francis, was just a little boy when the Kwa family became caught up in the brutal and devastating Japanese occupation of Hong Kong during World War II. Years later, he was sent to study in Australia by his now independent and successful older sister Theresa. There he met and married Mimi's mother, a nineteen-year-old with an undiagnosed, chronic mental illness. Soon after, 'tiger' Mimi arrived, and her struggle with the past - and the dragon - began. House of Kwa is an epic family drama spanning four generations, and an unforgettable story about how one woman finds the courage to stand up for her freedom and independence, squaring off against the ghosts of the past and finally putting them to rest.

Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

In 1953, a teenage girl, Jeanne Saré, jumps in front of a train at the Gare du Nord station. She leaves behind writings that to some are unreadable, but to others tell universal, unspoken truths about the lives and struggles of women. When published in the 1970s, her work triggers a rash of copycat suicides. It is hastily withdrawn from sale and eventually forgotten about.

Then, in 2004, two women from opposite corners of the globe ― Amsterdam and Sydney ― rediscover Jeanne Saré's book and set out to discover who the author was and what happened to her. Women across the ages have attached their own stories to Saré's, often with devastating results, but the truth about her may be even stranger than the fictions they have invented.

LOS ANGELES, 1932: Lulu Wong, star of the silver screen and the pride of Chinatown, has a face known to practically everyone, especially the Chow sisters--May, Gemma, and Peony--Lulu's former classmates and neighbors. So the girls instantly know it's Lulu when they discover a body one morning in an out-of-the-way stable, far from the Beverly Hills home where she lived after her fame skyrocketed. The sisters suspect Lulu's death is the result of foul play, but the police don't seem motivated to investigate. Even worse, there are signs that point to a cover-up, and powerful forces in the city want to frame the killing as evidence that Chinatown is a den of iniquity and crime, even more reason it should be demolished to make room for the construction of a new railway depot, Union Station. Worried that neither the police nor the papers will treat Lulu fairly--no matter her fame and wealth--the sisters set out to solve their friend's murder themselves, and maybe save their neighborhood in the bargain. But with Lulu's killer still on the loose, the girls' investigation just might put them square in the crosshairs of a cold-blooded murderer.

Gwen is sick of hiding—hiding the fact that she's taken over her father's blacksmithing duties, hiding her attraction to girls, hiding her yearning for glory as a knight.
Meanwhile, Lady Isobelle of Avington, queen bee of the castle, has never once considered hiding who she is—until now. She's been chosen as the grand prize in the Tournament of Dragonslayers, to be given to whichever knight can claim her hand. And for the first time in her life, she can't talk her way out of trouble.
When Isobelle discovers Gwen's knightly ambitions, they hatch a scheme together—Gwen will joust in the tournament, disguised as Sir Gawain. Winning means freedom for Isobelle, and glory for Gwen. Losing means… well, let's not go there.
One thing's for sure: falling in love was never the plan.
But the best laid plans…are often trampled all over by dragons.

It's the 1960s and despite the fact that Elizabeth Zott is a scientist, her peers are very unscientific when it comes to equality. The only good thing to happen to her on the road to professional fulfillment is a run-in with her super-star colleague Calvin Evans. The only man who ever treated her- and her ideas- as equal, Calvin is already a legend and Nobel nominee. He's also awkward, kind and tenacious. Theirs is true chemistry.
But as events are never as predictable as chemical reactions, three years later Elizabeth Zott is an unwed, single mother (did we mention it's the early 60s??) and the star of America's most beloved cooking show Supper at Six. Elizabeth's singular approach to cooking and independent example are proving revolutionary. Because Elizabeth isn't just teaching women how to cook, she's teaching them how to change the status quo.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn't always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive's own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life – sometimes painfully, but always with ruthless honesty.

Meet Betty: storyteller, feminist, eternally curious and phenomenally old. On the eve of her hundredth birthday party, Betty tells us her story. Born into poverty in pre-war London, and growing up fast during the Blitz, Betty grabs the chance at a bigger life by migrating to Australia. On board the SS Asturias she meets three people who will influence the course of her life -- Pearl, a good-hearted party girl; Athena, a Greek woman on her way to marry a man she has never met; and Leo, a German Jew who lost his family in the war.
Set against a century of world events and social upheavals, Betty takes us to the frontlines of the anti-war protests and the women's liberation movement of the 1970s, to the AIDS crisis during the 1980s, to Mexico and eventually becomes a TV screenwriter. Even in her nineties, Betty is still passionately engaged with the world, still surprising us.

The winner of the Australian Booksellers' Award, a novel in which notions and memories and fiction and reality float together as an octogenarian narrates the legend of the silver hands to a woman in her twenties, who in turn passes on a tale to a man who claims it as his own.

The motherless child of an English priest living in ninth-century Mainz, Agnes is a wild and brilliant girl with a deep, visceral love of God. At eighteen, to avoid a future as a wife or nun, Agnes enlists the help of a lovesick Benedictine monk to disguise herself as a man and devote her life to the study she is denied as a woman. So begins the life of John the Englishman: a matchless scholar and scribe of the revered Fulda monastery, then a charismatic heretic in an Athens commune and, by her middle years, a celebrated teacher in Rome. There, Agnes (as John) dazzles the Church hierarchy with her knowledge and wisdom and finds herself at the heart of political intrigue in a city where gossip is a powerful-and deadly-currency. And when the only person who knows her identity arrives in Rome, she will risk everything to once again feel what it is to be known-and loved.

Rafaela remembers everything that matters: her beautiful childhood in San Juan, her marriage to Peter, uprooting their children, Ruth and Benny, to the American Midwest, and losing all sense of her place in the world. So she tells no one when her memory begins to slip. Her daughter, in New York with a family of her own, wishes she could forget her muddy feelings about where she comes from - the same feelings which motivated her 22-year-old daughter Daisy to reconnect with their past.
Daisy, who has momentarily forgotten everything, hears the word critical in a hospital room in San Juan and remembers, all at once, the car that hurtled towards her, the terrible storm, and something else. What was it? Now Ruth and Rafaela must return to the city where it all began, to gather by Daisy's bedside and confront the twists of fate that have caused a growing rift in their family and led them to this moment.

A woman abandons her city life and marriage to return to the place of her childhood, holing up in a small religious community hidden away on the stark plains of the Monaro. She does not believe in God, doesn't know what prayer is, and finds herself living this strange, reclusive life almost by accident. As she gradually adjusts to the rhythms of monastic life, she finds herself turning again and again to thoughts of her mother, whose early death she can't forget. Disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, second is the return of the skeletal remains of a sister, finally, a troubling visitor to the monastery.
With each of these disturbing arrivals, the woman faces some deep questions. Can a person be truly good? What is forgiveness? Is loss of hope a moral failure? And can the business of grief ever really be finished?

Clara Ketterling-Dunbar is one of twenty-eight crew members of The Resolute--a ship meant for an Antarctic expedition now marooned on an ice floe one hundred miles from the shore of the continent. An eighteen-year-old American, Clara has told the crew she's twenty-one years old and Canadian. Since the war broke out, sentiment toward Americans has not been the most favorable, and Clara will be underestimated enough simply for being a woman without also giving away just how young she is. Two members of the crew know her nationality, but no one knows the truth of her activities in England before The Resolute set sail. She and her suffragist sisters in the Women's Social & Political Union were waging war of a different kind in London. They taught Clara to fight. And now, even marooned on the ice, she won't stop fighting for women's rights...or for survival. In the wilderness of Antarctica, Clara is determined to demonstrate what a woman is truly capable of--if the crew will let her.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother's endless grievances, Ellie dreams of a friend to alleviate her isolation.
Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa's warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming lion women. But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls' high school in Iran, Ellie's memories of Homa begin to fade.
Years later, however, her sudden reappearance in Ellie's privileged world alters the course of both of their lives. Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.
Though Yun rarely speaks of her past, Monica is determined to find the long-lost cousin she was separated from years ago. One day, the very program Monica is helping to build connects her to a young woman, whose gift of a single pencil holds a surprising clue. Monica's discovery of a hidden family history is exquisitely braided with Yun's own memories as she writes of her years in Shanghai, working at the Phoenix Pencil Company. As WWII rages outside their door, Yun and her cousin, Meng, learn of a special power the women in their family possess: the ability to Reforge a pencil's words. But when the government uncovers their secret, they are forced into a life of espionage, betraying other people's stories to survive.

Peri, a wealthy Turkish housewife, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground—an old polaroid of three young women and their university professor. A relic from a past—and a love—Peri had tried desperately to forget.

The photograph takes Peri back to Oxford University, as an eighteen year old sent abroad for the first time. To her dazzling, rebellious Professor and his life-changing course on God. To her home with her two best friends, Shirin and Mona, and their arguments about Islam and femininity. And finally, to the scandal that tore them all apart.

I am a Weyward, and wild inside.
2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century.
1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha's mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom.
1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom.
Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life - until the unthinkable happens

An eleven-year-old girl stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story. Set in the Irish Midlands in the 1850s, The Wonder - inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth - is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes. Pitting all the seductions of fundamentalism against sense and love, it is a searing examination of what nourishes us, body and soul.