Mount St Benedict College Library: New Staff Reads

The extraordinary story of the heroic doctor whose courage and leadership were a lifeline for thousands of Australian prisoners-of-war on the infamous Thai-Burma Railway of World War II - brilliantly told by Australia's favourite storyteller, Peter FitzSimons

In September 1939, young Australian surgeon Edward 'Weary' Dunlop was working in London when the dogs of war were unleashed. Signing up, he was commissioned a captain in the Australian Army Medical Corps (AAMC) and sent to the Middle East, serving in Palestine, Greece, Crete, Egypt and Tobruk.

As the European war dragged on, an emboldened Japanese force captured Singapore and marched closer to Australian shores. Weary and over 3000 others sailed back to Java to fight this new enemy. At the No. 1 Allied General Hospital in Bandoeng, the Japanese were ready to murder the bedridden when Weary put his body in front of the bayonets. From that moment his leadership, ingenuity and selflessness became legend as Allied prisoners-of-war were sent to Singapore, Thailand and finally faced the hell of working as slave labour on the infamous Thai-Burma Railway. In the POW camps, tropical diseases, malnutrition, and the brutal work regime imposed by their Japanese captors meant the death toll was horrific. And yet, with little to no medical supplies, under extreme physical pressure, Weary Dunlop took risks and beatings to defy the Japanese and keep his men alive in circumstances that tested the limits of human endurance.

Weary was a gentle giant of a man. A boxer and former Wallaby, he could have been an elite sportsman but chose a different path - one that led him from rural Victoria to training as a pharmacist and then to medical school. World War II was the fire that fuelled this remarkable hero. His courageous leadership and calm endurance became beacons of hope to the POWs under his command. His name has become synonymous with courage, compassion and resilience. Now, Weary Dunlop's heroic and inspiring story has been brought to life by Australia's greatest storyteller, Peter FitzSimons.

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world's largest seed bank, Shearwater was once full of researchers. But with sea levels rising, the Salts are now its final inhabitants, packing up the seeds before they are transported to safer ground. Then, during the worst storm the island has ever seen, a woman washes up on shore. As the Salts nurse the woman, Rowan, back to life, their suspicion gives way to affection, and they finally begin to feel like a family again. Rowan, long accustomed to protecting her heart, begins to fall for the Salts, too. But Rowan isn't telling the whole truth about why she set out for Shearwater. And when she discovers the sabotaged radios and a freshly dug grave, she realises Dominic is keeping his own dark secrets. As the storms on Shearwater gather force, the characters must decide if they can trust each other enough to protect the precious seeds in their care before it's too late—and if they can finally put the tragedies of the past behind them to create something new, together.

Most people don't even notice them--three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it's just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures.

Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love.

Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa's care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting's birthplace, the more nervous she becomes about what she'll find. Louisa is proof that happy endings don't always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.

Ghost cities - inspired by the vacant, uninhabited megacities of China - follows multiple narratives, including one in which a young man named Xiang is fired from his job as a translator at Sydney's Chinese Consulate after it is discovered he doesn't speak a word of Chinese and has been relying entirely on Google Translate for his work. How is his relocation to one such ghost city connected to a parallel odyssey in which an ancient Emperor creates a thousand doubles of Himself? Or where a chess-playing automaton hides a deadly secret? Or a tale in which every book in the known Empire is destroyed - then recreated, page by page and book by book - all in the name of love and art?

When 37-year-old Leila suffers a health tragedy, she doesn't recover as quickly as she expected. Her partner, James, suggests a year away from the city -- they'll stay on his family farm, where the wide, open spaces and clean country air will help her come to terms with her grief. But the property is remote and the house oppressive. Leila is disturbed by strange noises, fleeting visions and intrusive dreams. James worries that her medication is causing hallucinations. As Leila's isolation grows amid the haunted landscape, so does her suspicion that she isn't the first woman James has relocated to the farm. Is what she's experiencing real? Or is it all in her head?

Gold Logie-nominated TV personality and food icon Melissa Leong bites down on her demons in this searing memoir, exploring themes of abuse in the hospitality industry, racism, mental health and, for a light palate cleanser, the thrill of mouth-wateringly memorable food. Most of all, she inspires the courage to create a life you really, really want.

From Melissa Leong (aka fooderati) — the first female judge of MasterChef Australia and Dessert Masters, fashion obsessive and self-confessed contrarian — comes an evocative, sharp, darkly funny and often brutal account of what it's like to try, fail and scrape together the confidence to try again. She invites you to consider your own limiting self-beliefs ... and give them the finger.

These stories take place inside kitchens and television studios, on farms and even in an abattoir. Leong shares how her dream of being a concert pianist crumbled due to chronic pain, her struggles with racism and identity as a first-generation Singaporean Chinese woman, how blowing up her life to reset her path was maybe (definitely!) worth it, and why going your own way absolutely is.

Garnished with Leong's favourite recipes, Guts is above all a glorious love letter to food, to choosing the unpredictable path and to believing in yourself even — and especially — when the odds are stacked against you.

No guts, no glory. Hope you're hungry.

From communication expert Jefferson Fisher, the definitive book on making your next conversation the one that changes everything

No matter who you're talking to, The Next Conversation gives you immediately actionable strategies and phrases that will forever change how you communicate. Jefferson Fisher, trial lawyer and one of the leading voices on real-world communication, offers a tried-and-true framework that will show you how to transform your life and your relationships by improving your next conversation.

Fisher has gained millions of followers through short, simple, practical videos teaching people how to argue less and talk more. Whether it's handling a heated conversation, dealing with a difficult personality, or standing your ground with confidence, his down-to-earth teachings have helped countless people navigate life's toughest situations. Now for the first time, Fisher has distilled his three-part communication system (Say it with control, Say it with confidence, Say it to connect) that can easily be applied to any situation.

The world of unknowable objects - magical items that most people have no idea possess powers - has been quiet for decades . . .

But three current members of a secret society have remained watchful, meeting every six months in the basement of a bookshop in London. They are pledged to protect their archive of magical items hidden away, safe from the outside world - and keep the world safe from them. But when Frank Simpson, the longest-standing member of the Society of Unknowable Objects, hears of a new artefact coming to light in Hong Kong, he sends the Society's newest member, author Magda Sparks, to investigate.

Within hours of arriving in Hong Kong, Magda is facing death and danger, confronted by a professional killer who seems to know all about unknowable objects, specifically one that was stolen from him a decade before. Magda is forced to flee, using an artefact that not even the rest of the Society knows about.

Returning to London, Magda learns hers is not the only secret being kept from the other two members. And that the most pernicious secret is about the nature of the Society's mission. Her discoveries will lead her on a perilous journey, across the Atlantic to the deep south of the United States - not in pursuit of an unknowable object, but an unknowable person: the killer she first faced in Hong Kong. In doing so, Magda begins to understand that there are even more in the world who are chasing these magical items, and that her own family's legacy is tied up in keeping all these secrets under wraps.

Magic has always been too powerful to reveal to the world. But Magda will learn there might be something even more powerful: the truth.

On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find the GNSB (Garda National Services Bureau) on her doorstep. Two officers from Ireland's newly formed secret police want to speak with her husband, Larry, a trade unionist for the Teachers' Union of Ireland. Things are falling apart. Ireland is in the grip of a government that is taking a turn towards tyranny. And as the blood-dimmed tide is loosed, Eilish finds herself caught within the nightmare logic of a collapsing society -- assailed by unpredictable forces beyond her control and forced to do whatever it takes to keep her family together.

Michael and Mary Shelley are Christian fanatics who loathe their fellow Australians -- especially their reckless indulgence of alcohol and obsession with idiotic ball sports. Lenore and Tom Blaine are working-class Queensland publicans raising a large family in a raucous, loving, sports-obsessed home. There's just one problem. Lenore and Tom are foster parents to three of Michael and Mary's children, who were removed from the Shelleys as infants. And the Shelleys are prepared to do anything to get them back.

Van Diemen's Land, 1839. A young woman of means arrives in Hobart, with a young boy in her care. Leasing an old cottage next to an abandoned vineyard, Caroline Douglas must navigate an insular colony of exiles and opportunists to invent a new life on this island of extreme seasons and wild beauty. But Caroline is carrying a secret of such magnitude it has led her to cross the world, and it will take all she is made of to bring it into the light.

1861, The Mississippi River.
When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans, and be separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town.
Thus begins a dangerous and transcendent journey, by raft, on the Mississippi River toward the elusive promise of the free states and beyond. As James and Huck navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise. With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair embark on the most dangerous, and life-changing, odyssey of them all.

Painfully funny. The pain and the funniness somehow add up to something entirely good, entirely noble and entirely loveable. Welcome to 97-hour weeks. Welcome to life and death decisions. Welcome to a constant tsunami of bodily fluids. Welcome to earning less than the hospital parking meter. Wave goodbye to your friends and relationships. Welcome to the life of a junior doctor. Scribbled in secret after endless days, sleepless nights and missed weekends, comedian and former junior doctor Adam Kay's This Is Going to Hurt provides a no-holds-barred account of his time on the NHS front line. Hilarious, horrifying and heartbreaking by turns, these diaries are everything you wanted to know -- and more than a few things you didn't -- about life on and off the hospital ward. And yes, it may leave a scar.

Grad student Alice Law has only ever had one goal: to become the brightest mind in the field of analytic magick. But the only person who can make her dream come true is dead and--inconveniently--in hell. And Alice, along with her biggest rival Peter Murdoch, is going after him. But hell is not as the philosophers claim, its rules are upside-down, and if she's going to get out of there alive, she and Peter will have to work together. That's if they can agree on anything. Will they triumph or kill each other trying?

For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions, and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI—a new information network that threatens to annihilate us. For all that we have accomplished, why are we so self-destructive?

Nexus looks through the long lens of human history to consider how the flow of information has shaped us, and our world. Taking us from the Stone Age, through the canonization of the Bible, early modern witch-hunts, Stalinism, Nazism, and the resurgence of populism today, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how different societies and political systems throughout history have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence.

Information is not the raw material of truth; neither is it a mere weapon. Nexus explores the hopeful middle ground between these extremes, and in doing so, rediscovers our shared humanity.

Nuremberg, 1938: Lisavet Levy's watchmaker father saves her from the Nazis by pushing her through a mysterious doorway. There, she discovers the time space—a vast, magical library where memories of the past are stored in books. Her father promises he will follow, but when he doesn't Lisavet becomes trapped, destined to walk through the memories of those who have lived before.

When she discovers timekeepers are entering the library with the mandate to decide whose memories survive and whose are destroyed, Lisavet tries to salvage scraps of the past as best she can, creating her own book of lost memories. Until one day in 1949, she meets an American timekeeper named Ernest Duquesne, who is intent on keeping Lisavet from her task. What ensues has the power to change the course of history.

Boston, 1965: Amelia Duquesne is mourning her uncle Ernest when an enigmatic CIA agent approaches her to enlist her help in tracking down a strange book her uncle had once sought. But when Amelia enters the time space for the first time, she realises that the past—and the truth—might not be as linear as she'd like to believe.

On the day man first walks on the moon thirteen-year-old Robbie Brennan meets Moses, an old man camped by the side of the road. Over the following months, Robbie is drawn to Moses' stories — tales of hardship, war, and redemption — unearthing a past entwined with his own. When Robbie learns that Moses grew up at the Mission, the Aboriginal reserve that once existed on the outskirts of town, with his mother Delsie, Robbie's understanding of his family's history and identity is forever changed.
At home, Robbie must navigate the unpredictable wrath of his beloved but sometimes violent father, a man whose temper keeps the household in a constant state of anxiety. But when Robbie witnesses a tragic event at the Warrumbar dam, his world is shaken further. Haunted by his past in the boys' home and terrified of the consequences, he faces a choice: speak the truth and risk everything or stay silent and carry the burden forever. But in a small country town where a boy like Robbie - poor, on society's margins, and with 'some of that black blood in him' - is rarely believed, does the truth matter?
Set against the backdrop of 1969 Australia.

Can a name change the course of a life?
In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates. Spanning thirty-five years, what follows are three alternate and alternating versions of Cora's and her young son's lives, shaped by her choice of name.

In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further, into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more: through the investigation of the aftermath of this violence across time and place, from the killer's home town in country Australia to the tropical Far North, and to Texas and Rome, McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost. What damages, big and small, do these crimes incur? How do communities make sense of such atrocities? How does the mourning of families sit alongside the public fascination with terrible crimes? And can we tell true crime stories without putting the killers at the centre of the story?

At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings.

For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone?

Marie-Helene Bertino's Beautyland is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introduces a gentle, unforgettable alien for our times.

Six astronauts rotate in their spacecraft above the earth. They are there to collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swell of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home, They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction. The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more a part - or protective - of it. They begin to ask, what is life without earth? What is earth without humanity?

In a dying town, Ro Crowley waits for her son on the evening of his 21st birthday. But Sam never comes home. His footprints in the dust of three abandoned houses offer the only clue to his final movements. One set in. One set out. Five long years later, Ro returns to Carralon Ridge for the annual memorial of Sam's disappearance. The skeletal community is now an echo of itself, having fractured under the pressure of the coal mine operating on its outskirts. But Ro still wants answers. Only a few people remain. If the truth is to be found in that town, does it lie among them?

PACHINKO follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan. So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity.

Bestselling author Katrine Marçal reveals the shocking ways our deeply ingrained ideas about gender continue to hold us back. Every day, extraordinary inventions and innovative ideas are side-lined in a world that remains subservient to men

But it doesn't have to be this way. From the beginning of time, women have been pivotal to our society, offering ingenious solutions to some of our most vexing problems. More recently, it is women who have transformed the way we shop online, revolutionised the lives of disabled people and put the climate crisis at the top of the agenda.

Despite these successes, we still fail to find and fund the game-changing ideas that could alter the future of our planet, giving just 3% of venture capital to female founders. Instead, ingrained ideas about men and women continue to shape our economic decisions; favouring men and leading us to the same tired set of solutions.

For too long we have underestimated the consequences of sexism in our economy, and the way it holds all of us – women and men – back. Katrine Marcal's blistering critique sets the record straight and shows how, in a time of crisis, the ingenuity and intelligence of women is that very thing that can save us.

"What is it you think you're protecting in that brain of yours? The war is over. Holdfast is dead. The Eternal Flame extinguished. There's no one left for you to save."

Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed.

In the aftermath of a long war, Paladia's new ruling class of corrupt guild families and depraved necromancers, whose vile undead creatures helped bring about their victory, holds Helena captive.

According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance's final gambit?

To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena's fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.