Mount St Benedict College Library: New Staff Reads

The final chapter to Stephen Fry's retellings of the Greek Myths. Troy has fallen. After 10 years of war, the Greeks make their way back to their own lands-- but what homes now await them? Agamemnon must return to his wife Clytemnestra, who has been nursing her rage since he sacrificed their daughter to the gods for a favourable wind. Her revenge will know no bounds. Meanwhile, Odysseus has angered the god Poseidon and he is cursed to wander the seas, facing angry monsters and possessive demi-gods as he attempts to return to Ithaca and his patient, clever wife Penelope.

Beth Pickering is on the verge of finally capturing the rare deathwhistler bird when Professor Devon Lockley swoops in, stealing both her bird and her imagination like a villain. Albeit a handsome and charming villain, but that's beside the point. As someone highly educated in the ruthless discipline of ornithology, Beth knows trouble when she sees it, and she is determined to keep her distance from Devon. For his part, Devon has never been more smitten than when he first set eyes on Professor Beth Pickering. She's so pretty, so polite, so capable of bringing down a fiery, deadly bird using only her wits. In other words, an angel. Devon understands he must not get close to her, however, since they're professional rivals. When a competition to become Birder of the Year by capturing an endangered caladrius bird is announced, Beth and Devon are forced to team up to have any chance of winning. Now keeping their distance becomes a question of one bed or two. But they must take the risk, because fowl play is afoot, and they can't trust anyone else-- for all may be fair in love and war, but this is ornithology.

The Nineties: a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history.

It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job.

Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it.

In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

The moving international sensation about new beginnings, human connection, and the joy of reading. Hidden in Jimbocho, Tokyo is a booklover's paradise. On a quiet corner in an old wooden building lies a shop filled with hundreds of second-hand books. Twenty-five-year-old Takako has never liked reading, although the Morisaki bookshop has been in her family for three generations. It is the pride and joy of her uncle Satoru, who has devoted his life to the bookshop since his wife Momoko left him five years earlier.When Takako's boyfriend reveals he's marrying someone else, she reluctantly accepts her eccentric uncle's offer to live rent-free in the tiny room above the shop. Hoping to nurse her broken heart in peace, Takako is surprised to encounter new worlds within the stacks of books lining the Morisaki bookshop.As summer fades to autumn, Satoru and Takako discover they have more in common than they first thought. The Morisaki bookshop has something to teach them both about life, love, and the healing power of books.

We know the European story of Captain Cook's arrival from diaries, journals and letters. For the first time, this is the other side. Who were the people watching the Endeavour sail by? How did they understand their world and what sense did they make of this strange vision? And what was the impact of these first encounters with Europeans?
The answers lie in tales passed down from 1770 and in truth-telling of the often more brutal engagements that followed.
Darren Rix and Craig Cormick travelled to all the places on the east coast that were renamed by Cook, and listened to people's stories. With their permission, these stories have been woven together with the European accounts and placed in their deeper context.

As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most?

Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry's relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, "Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency."

To the horror of young gravedigger Ned, bodysnatchers have been visiting his churchyard in the dead of night. Until now, he'd been daydreaming about another visitor -- daughter of the manor, Obedience Wellrest. But sixteen-year-old Obedience has troubles of her own: her loving but overbearing father, and his wish to see her married to a rich man of science, Phineas Mordaunt. When Mordaunt starts to poke his nose into her family history -- in particular, the ruinous research of late Uncle Herbert -- Obedience enters a dangerous game with Death, and Ned might be the only person who can save her...

In pursuit of the wild, solitary, predatory octopus, popular naturalist Sy Montgomery has practiced true immersion journalism. From New England aquarium tanks to the reefs of French Polynesia and the Gulf of Mexico, she has befriended octopuses with strikingly different personalities—gentle Athena, assertive Octavia, curious Kali, and joyful Karma. Each creature shows her cleverness in myriad ways: escaping enclosures like an orangutan; jetting water to bounce balls; and endlessly tricking companions with multiple "sleights of hand" to get food.

Scientists have only recently accepted the intelligence of dogs, birds, and chimpanzees but now are watching octopuses solve problems and are trying to decipher the meaning of the animal's color-changing techniques. Montgomery chronicles the growing appreciation of this mollusk as she tells a unique love story. By turns funny, entertaining, touching, and profound, The Soul of an Octopus reveals what octopuses can teach us about the meeting of two very different minds.

Lauren Richmond isn't a fan of Christmas. Which is why she rarely makes the trip home to the Midwest for the holidays. After all, she has plenty to keep her busy--namely, her duties as a set decorator on a TV sitcom. But this December, Lauren's brother and his wife are expecting a baby, so her brother arranges a ride home for her with his good friend, Will. Unfortunately for Lauren, she's been trying to forget college baseball coach and childhood crush Will Sinclair for more than ten years. Now, thanks to her fear of flying, she's stuck in a car with him from California to Illinois. She's circumspect and organized. He's flirty and spontaneous. She's convinced that people don't change. He's trying to prove to her (and himself) that he has. On this cross-country road trip, they'll both discover that history doesn't exactly repeat itself. . . but like any good Christmas carol, it does have a second verse.